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SpectrasonicsOmnisphere is debatably one of the most advanced steps in virtual synthesis so far and has been referred to as ‘the king of software synths’. The instalment of Omnisphere 2 saw a vast range of new possibilities including over 400 new DSP waveforms, 3,000 new patches and soundscapes and an audio import option, allowing users to import their own audio to use it as a sound source, extending the possibilities of Omnisphere further than ever before.

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Mar 15, 2017  Hey there! We have set up a separate forum area to discuss everything related to the Coronavirus / COVID-19. This way it's more easily ignored for those who just want to talk about day-to-day audio, music & production topics. Omnisphere 2.6 - Features. Now includes over 14,000 inspiring sounds for all types of music production. Download Omnisphere-2 Torrent at TorrentFunk. We have 257 Omnisphere-2 Software torrents for you!

Why stop there though? There are some amazing expansion packs up for grabs; a wide range of cinematic, dark, ambient, dance, minimal and many other great patches are available to buy from Time+Space, and all at very affordable prices. Before you start filling your shopping cart, have a read through this buyer’s guide to get a rundown of which packs are most suited to your needs.

Ambient and Experimental

Omnisphere is the perfect platform for all genres that look to distort the boundaries of music and abandon any sense of tempo or key signature. The complex synthesis engine can morph and twist audio way beyond normality and back again, making it a perfect tool for the avant garde composer.

We paired up with renowned UK sound designer and electronic musician Ian Boddy to bring our first very own and exclusive product, Dark Ambience Patches for Omnisphere 2. Take a journey into the deeper realms of ambience and electronic music with everything from soundscapes, textures, special FX, synth sounds and beyond.

“The patches are like nothing I’ve heard in Omnisphere before, my signature analogue sound wrapped in a cocoon of expressive soundscapes.”- says Ian Boddy, on creating Dark Ambience Patches

The equipment used to create these patches give them such a raw analogue sound and really do credit to the world of analogue synthesis. Here is the list of equipment used:

• Roland System 100-M
• Serge Animal, Audio Interface, Dual Oscillator, Klangzeit, CV Matrix Mixer, Dual ADSR, Stereo Mixer & custom panels
• Analogue Systems
• Analogue Solutions
• Doepfer A-100
• Cwejman SPH2 & FSH1 & MX-4S
• Make Noise DPO, Wogglebug, Rene, Maths & QMMG
• Livewire, Metasonix, Harvestman, Synthesis Technology, WMD & Flight of Harmony modules
• VCS3
• Minimoog & Moog Voyager
• Metasonix TM-2 tube BP filter
• TLA Ebony A2Stereo Processor

This expansion pack is for users of Spectrasonics Omnisphere 2.2.0e or higher.

This pack explores the techniques of granular synthesis, a new addition to Omnisphere 2 which completely transforms your sound by rebuilding it, using the broken down ‘grains’ of the original sound.

The 100 presets contain ambiences, soundscapes and textures combining Omnisphere 2´s high-speed arpeggios, reverbs and Omnisphere 2´s new InnerSpace effect. All presets can be morphed to a pulsing beat using the modulation wheel. The soundbank is focused on ambiences, hybrid soundscapes and textures designed for Ambient, Film, Soundtrack and Underscore.

This expansion pack requires the full version of Spectrasonics Omnisphere 2.1.0d or higher.

Ferox features an eclectic blend of analogue, hybrid acoustic, dark and distorted textures, rhythms, sequences and atmospheres. A brooding, eerie, shadowy, noisy, swarming soundset designed to get under your skin.

A vast library consisting of lo-fi drum loops, ghostly mallets, crumbling analogue synth riffs, drifting modular leads, haunted pianos, warm synth pads, damaged acoustic basses, gritty basses, disturbing ambience, fractured strings, odd synth noises, broken retro machines, melancholy soundscapes and curious hybrid instruments.

With 300 patches, there is a huge amount of sonic flexibility within Ferox and a variety of musical applications on offer. The soundset is also great for horror, ambient, even music with a folksy touch, due its subtle nods towards Nordic and Western sounds. Go all out with just the analogue synth sounds, or keep it real with the hybrid acoustic elements; or blend the two.

This pack requires Spectrasonics Omnisphere 2

Cinematic

The synergic relationship between media and music is a very important one. All successful media based productions work only with a great soundtrack or underscore. Whether its fast-paced action or a thought-provoking emotional scene, these expansion packs are sure to give you the fullest sound.

A hand-picked selection of raw samples from the original award-winning sound libraries Celtic and Altered States, fed through the amazing power of Omnisphere for some truly inspiring results.

Mandolins, Fiddles, Bagpipes, Flutes, Ceilidh Snares, Bodhran and many more raw Celtic sounds have all been used, mixed with the powerful and atmospheric soundscapes of Altered States, resulting in a collection of beautiful sounds perfect for any project that requires a Celtic flavour.

Celtic Atmospheres contains 50 inspiring patches ranging from deep, emotive pads with a topping of Celtic flutes to dark and intense sonic-backdrops perfect for those suspenseful moments. The library also contains a selection of Celtic inspired percussion patches using samples from the Bodhran and Ceilidh Snares, mixed with various instruments such as Bagpipes and 12 string guitars to create some truly unique, ambient percussive soundscapes.

This pack requires Spectrasonics Omnisphere version 2.1.0d or higher.

A collection of all 4 Audiority Omnisphere Cinematic packs with a great price tag.

A total of 400 presets including arps, drones, hits, rhythms, pads, FX and much more; these handcrafted sounds will bring your moving image to life. The impacts and hits work great with climactic moments and the nice array of fx presets will fill the silence.

Here’s what’s included:

• 110 Arpeggios + Rhythms
• 50 Bass
• 9 Drum elements
• 45 Impacts + Hits
• 23 Keyboards
• 133 Textures + Drones
• 30 Transitions + FX (including Oneshot Hits)

This product requires Spectrasonics Omnisphere version 1.5.7d or higher

Horizon V is squarely aimed at the television underscore and independent film scoring vibe. There is a strong blend of the acoustic and the synthetic: both growling and delicate string instruments meet dark and lush analogue sounds. Melding organic bowed textures, airy guitars and pseudo-folk vibes with bristling, warm synth classics and evolving techno pulses; this soundset captures the intimate, innovative spirit of scoring for the small screen, as well as films and games that steer away from the Hollywood aesthetic.

This collection delivers haunting pianos, melancholic soundscapes, colourful guitars, eclectic strings, and supports them with impulsive basses, kinetic percussion, rich pads and robust synths.

The 128 patches include:

• 52 Arps & Rhythms
• 2 Human Voices
• 2 Hybrid Organic
• 2 Impacts & Hits
• 6 Keyboards
• 23 Pads & Strings
• 2 Sfx & Noise
• 9 Synth Basses
• 7 Synth Poly
• 20 Textures
• 3 Traditional

Requires Spectrasonics Omnisphere 1 or Omnisphere 2

Electronic Dance Music

The electronic dance music scene is one of the most rapidly developing and popular genres in the world. For this reason, it is also one of the most competitive, with millions of young musicians and producers hoping to break through the surface and show their original sound to the rest of the world. Well, if you’re one of those people then these professionally crafted expansion packs can certainly help you on your way.

Dancesphere is the first dance-oriented soundbank for Spectrasonics Omnisphere, featuring 110 new unique sounds for Techno, Minimal, Trance and Hardstyle. These styles are constantly gaining popularity so if you’ve just discovered such genres and own Omnisphere, this pack will go hand in hand with the iin-depthparameters and effects that Omnisphere offers.

• 10 Arpeggios + Rhythms
• 23 Bass
• 20 Drum elements
• 22 Leads
• 11 Pads
• 17 Keyboards + Synths
• 7 Transitions + FX

Omnisphere probably wouldn’t be considered the first choice of synth when coming to making Hip Hop, Trap or Urban beats but Audiority have proved that it certainly can be. Trapsphere is the first full featured Trap soundbank for Spectrasonics Omnisphere ever made, featuring 200 new sounds for designed for Trap, Urban and Hip Hop. Furthermore, this soundbank provides 37 pre rendered one-shot drum WAV files, ready to be layered with your favourite samples, speeding up your production workflow.

• 40 Arpeggios + Rhythms
• 40 Bass
• 40 Drum elements
• 40 Leads
• 30 Pads + Keyboards
• 10 Transitions + FX
• BONUS: 37 pre-rendered one-shot drum WAV files

Full version of Spectrasonics Omnisphere 2.1.od or higher is required

Hardwired is a modern producer’s nuclear arsenal of 21st century sounds that will help you construct your next award-winning soundtrack, or add dazzle and sophistication to any kind of music you make. If you’ve ever wanted to have access to the kind of elite sonic weaponry that makes your peers (jealously) ask you, “How did you get those &*$%# sounds?”, then this library is DEFINITELY for you.

Hardwired contains over 100 meticulously crafted patches including:

• 27 Textural/Sound Beds
• 20 Sound Effects
• 12 Cinematic Drones
• 14 BPM Locked Movers/Arpeggiations
• 10 Hits
• 2 Vox Based Sound
• 5 Pads
• 5 Basses
• 6 Leads
• 2 Synth2 Pads

Full version of Spectrasonics Omnisphere 2.1 is required to install this expansion

Inside Revolve, you’ll find a cornucopia of arpeggiated synths, heavenly bells, twisted bass lines, and phantasmagorical plucks that will add intrigue and movement to your music. And since Revolve is genre-agnostic, you’ll find plenty of inspiration whether you’re working on the next soundtrack for a suspense-thriller, chilling down with ambient, going pop with a vocal melody on top, or creating heat for the dance floor.

Full version of Spectrasonics Omnisphere 2.1 is required to install this expansion

If you are unsure about how to install any of these expansion packs, or in fact, any 3rd party library into Omnisphere 2 then follow this link to a handy install guide: http://knowledge.timespace.com/index.php/article/how-to-install-3rd-party-library-into-omnisphere-2

Now go forth and expand your Omnisphere! Click here for more expansion packs.

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on Oct 23, 2015 in Synths & Sound Design 0 comments

Spectrasonics Omnisphere is known as one of the most powerful and best sounding software synthesizers on the market. It has just received another boost into the audio production stratosphere with its extensive 2.0 update, attracting new users and fans for its sound quality and design. It’s easy to get wrapped up in exploring and playing the thousands of patches available, especially the new additions. And without fault, there are so many usable sounds right of the box that can be used to enhance any production. Producers and composers alike should indulge!

That said, the purpose of this article is to explore the basics of custom synth patch creation using the powerful and easy to use interface in Omnisphere. Not only is the interface design intuitive, but also the complexity of what’s possible can keep the most seasoned music producers busy for months, if not years! If you do a search for custom Omnisphere patches, there are gurus out there selling their wares or offering free downloads of their creations. For those of you starting out with software synth programming, Omnisphere is a worthy investment and a good place to start.

In this article, I will give an overview of how to begin to program synth patches and very quickly find unique and inspiring sounds. I’ll go over types of waveforms, routing and using the modulation sections, where all the magic happens. Along the way, I’ll share some audio clips of my progress. By no means will I be able to cover everything is this short article, but I hope it inspires you to explore Omnisphere or another favorite software synth in your DAW. Come along for the ride as I lead you through my process.

In the Beginning: The Default Patch

When you load up Omnisphere into your DAW, the Default patch is loaded with a ‘SawSquare Fat’ waveform in the Synth window in the Oscillator section. This is the place where we can first select the basic waveform to build from or use a sample instead. For this article, we will be building from the synth generator. There are dozens of different waveforms to choose from including waveforms from Classic hardware synths, analog timbres and digital wavetables. I chose a classic Triangle wave from the top menu.

More Fun in the Oscillator Section

In the expanded oscillator section you have the option to add additional synthesis including FM (Frequency Modulation), Ring Modulation, Waveshaper and choose between Unison, Harmonia and Granular. They all change in the sound in different ways depending on your starting waveform so I would suggest staying in this area for quite a while and explore the options within each section. For my simple triangle wave, I chose to use the Unison section to fatten up the sound a bit. The Unison function makes slightly detuned copies of the original waveform and layers them to create the bigger sound. The spread slider widens the stereo field beautifully. Harmonia is great for creating chords by just pressing one note and Granular, a new synthesis feature in Version 2, is another specialized, but beautiful sound design option.

Synth Design Example 1—‘SawSquare Fat’, ‘Triangle’ and ‘Triangle with Unison’:

Playing with Modulation

Figure 4 – Quickly access Modulation drop down menu by right clicking on any parameter.

Back in the A section overview, I decided to play around with The Shape, Symmetry and Hard Sync sliders in the Oscillator section to bring more character to the sound. I also experimented with modulating each of these parameters through different LFOs operating at slightly different, slow rates. I quickly discovered that I was starting to create an interested Pad sound with evolving character. At this point I also went to my Amp Envelope section and adjusted the attack and release so that it was smooth on both ends when changing between chords. I also turned on the main Filter and modulated the Cutoff through LFO 4. I’ve included both samples with and without the Modulating filter cutoff so you can hear the difference. All these adjustments changed the sound dramatically from the previous ‘Unison’ example, as you’ll hear below.

Synth Design Example 2—Designing a Dynamic Pad Sound with Modulation routing, Filter and Amp Envelopes:

Figure 5 – Modulation Matrix Window in Omnisphere.

The Modulation section matrix window is a great place to try different sources and targets. Anything in the Oscillator section can be modulated with LFOs, envelopes and assigned to controllers like mod wheels. I felt more comfortable navigating this Mod section in particular compared to other software synths I’ve worked with.

Save and Tag your Custom Patch

One of most important steps in Synth patch creation is to save and tag your new sound so you do not loose all your hard work and time. You may find a few different variations of a patch during your synthesis process that warrant saving, naming and tagging for different musical purposes. The First step is to save your sound in the ‘User’ directory, make a Category for (in this case ‘Pad Sounds’) and then name your patch. In the ‘Edit Tags’ Screenshot below, I assigned some adjectives to the various attribute types available. I also added my name to the list as an author of that particular patch. It is important to be as detailed as possible so you can find the patch later when searching for similar sounds.

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Figure 6 – Creating Tags for Custom Patches in Omnisphere.

Fun with Effects and Arpeggiation

Having completed one pad sound, I used it as a starting point to design another usable sound. I didn’t touch on the FX or Arpeggiator sections in the previous example, so I experimented with those to come up with another synth sound. I was interested in doing something more rhythmic and staccato. First, I made adjustments to my Amp envelope so I had a shorter Attack and Release. Then, I tried out some Arpeggiator presets, selected something close to what I was looking for, and then edited the timing and velocity. In the FX section, there are tons of directions to go with the sound. In this patch, I settled on using one of my favorite new FX in Omnisphere called Innerspace, an Envelope filter and Stereo Imager. My new result is featured below:

Synth Design Example 3—with Arpeggiation and FX:

Figure 8 – FX Section Rack with Innerspace, Envelope Filter and Stereo Imager.

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A World of Possibilities… Guided by You!

Omnisphere 2 Only 2 Oscillators Review

The world of synth programming is open to all producers and musicians regardless of experience. Software synths in particular are becoming so accessible that anyone can start to create unique sounds quickly. As I discovered on my journey, my custom patches started with a simple triangle wave and become so much more with just a few adjustments to various parameters. Whether you use Omnisphere or another synthesizer, I hope you feel encouraged to spend time exploring what’s possible.

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